BHM: Library Display

An intimate, powerful, and inspiring memoir by the former First Lady of the United States In a life filled with meaning and accomplishment, Michelle Obama has emerged as one of the most iconic and compelling women of our era. As First Lady of the United States of America--the first African American to serve in that role--she helped create the most welcoming and inclusive White House in history, while also establishing herself as a powerful advocate for women and girls in the U.S. and around the world, dramatically changing the ways that families pursue healthier and more active lives, and standing with her husband as he led America through some of its most harrowing moments. Along the way, she showed us a few dance moves, crushed Carpool Karaoke, and raised two down-to-earth daughters under an unforgiving media glare.

Hailed by Toni Morrison as "required reading," a bold and personal literary exploration of America's racial history by "the most important essayist in a generation and a writer who changed the national political conversation about race" (Rolling Stone)

Black Firsts is a testimony to the rich but often overlooked history of black life in America-and throughout the world. This new edition collects and celebrates the thousands of world-moving people and hard-to-find facts and accomplishments that have helped shape society and culture. It recognizes and honors both renowned and lesser-known barrier-breaking trailblazers in all fields-arts, entertainment, business, civil rights, education, government, invention, journalism, religion, science, sports, music, and more. With more than 350 photos and illustrations.

Both significant and timely, Blackhood Against the Police Power addresses the punishment of "race" and the disavowal of sexual violence central to the contemporary "post-racial" culture of politics. Here the author asserts that the post-racial presents an antiblack animus that should be read as desiring the end of blackness and the black liberation movement's singular ethical claims. The book redefines policing as a sociohistorical process of implementing antiblackness and, in so doing, redefines racism as an act of sexual violence that produces the punishment of race. It smartly critiques the way leading antiracist discourse is frequently complicit with antiblackness and recalls the original 1960s conception of black studies as a corrective to the deficiencies in today's critical discourse on race and sex. The book explores these lines of inquiry to pinpoint how the history of racial slavery wraps itself in a new discourse of disavowal. In this way, Blackhood Against the Police Power responds to a range of texts, policies, practices, and representations complicit with the police power--from the Fourth Amendment and the movements to curtail stop-and-frisk policing and mass incarceration to popular culture treatments of blackness to the leading academic discourses on race and sex politics.

Writing especially for students in grades four through eight, Ruthe Winegarten and Sharon Kahn trace the history of black women from slavery until today. Adapted from the award-winning Black Texas Women, the book profiles teachers, businesswomen, civil rights leaders, community activists, doctors, nurses, athletes, musicians, artists, and political leaders and concludes with a biography of Barbara Jordan.

A New York Times Bestseller and National Book Award Winner Jacqueline Woodson, the acclaimed author of Red at the Bone, tells the moving story of her childhood in mesmerizing verse.   Raised in South Carolina and New York, Woodson always felt halfway home in each place. In vivid poems, she shares what it was like to grow up as an African American in the 1960s and 1970s, living with the remnants of Jim Crow and her growing awareness of the Civil Rights movement. Touching and powerful, each poem is both accessible and emotionally charged, each line a glimpse into a child's soul as she searches for her place in the world. Woodson's eloquent poetry also reflects the joy of finding her voice through writing stories, despite the fact that she struggled with reading as a child. Her love of stories inspired her and stayed with her, creating the first sparks of the gifted writer she was to become.   A National Book Award Winner A Newbery Honor Book A Coretta Scott King Award Winner Praise for Jacqueline Woodson: Ms. Woodson writes with a sure understanding of the thoughts of young people, offering a poetic, eloquent narrative that is not simply a story . . . but a mature exploration of grown-up issues and self-discovery."--The New York Times Book Review

The instant #1 New York Times, Wall Street Journal, and USA Today bestseller The breakout poetry collection by #1 New York Times bestselling author and presidential inaugural poet Amanda Gorman Formerly titled The Hill We Climb and Other Poems, the luminous poetry collection by #1 New York Times bestselling author and presidential inaugural poet Amanda Gorman captures a shipwrecked moment in time and transforms it into a lyric of hope and healing. In Call Us What We Carry, Gorman explores history, language, identity, and erasure through an imaginative and intimate collage. Harnessing the collective grief of a global pandemic, this beautifully designed volume features poems in many inventive styles and structures and shines a light on a moment of reckoning. Call Us What We Carry reveals that Gorman has become our messenger from the past, our voice for the future.  

From an American Book Award-winning author comes a pungent and poignant masterpiece of recollection that ushers readers into a now-vanished "colored" world and extends and deepens our sense of African-American history, even as it entrances us with its bravura storytelling. From the Trade Paperback edition.

There is no teasing apart what interracial couples think of themselves from what society shows them about themselves. Following on her earlier ground-breaking study of the social worlds of interracial couples, Erica Chito Childs considers the larger context of social messages, conveyed by the media, that inform how we think about love across the color line. Examining a range of media, from movies to music to the web, Fade to Black and White offers an informative and provocative account of how the perception of interracial sexuality as 'deviant' has been transformed in the course of the 20th century and how race relations are understood today.

Renowned New York Times columnist Rhoden deconstructs the black athlete in this explosive and absorbing discussion of race, politics, and the history of American sports. He argues that for all their money and fame, black athletes are no better off than slaves whose masters forced them to race and fight.

In a groundbreaking collaboration, and taking the great W.E.B. DuBois as their model, two of America's foremost African-American intellectuals address the dreams, fears, aspirations, and responsibilities of the black community--especially the black elite--on the eve of the 21st century.

Good Trouble is the helpful antidote to all the pessimism and name-calling that is permeating today's political and social dialogues. Revisiting episodes from the civil rights movement of the 1950s and '60s, it highlights the essential lessons that modern-day activists and the civically minded can extract and embrace in order to move forward and create change. In words and vivid pen-and-watercolor illustrations, journalist Christopher Noxon dives into the real stories behind the front lines of the Montgomery bus boycott and the Greensboro lunch counter sit-ins and notable figures such as Rosa Parks and Bayard Rustin, all while exploring the parallels between the civil rights movement era and the present moment. This thoughtful, fresh approach is sure to inspire conversation, action, and, most importantly, hope.

Why do black families own less than white families? Why does school segregation persist decades after Brown v. Board of Education? Why is it harder for black adults to vote than for white adults? Will addressing economic inequality solve racial and gender inequality as well? This book answers all of these questions and more by revealing the hidden rules of race that create barriers to inclusion today. While many Americans are familiar with the histories of slavery and Jim Crow, we often don't understand how the rules of those eras undergird today's economy, reproducing the same racial inequities 150 years after the end of slavery and 50 years after the banning of Jim Crow segregation laws. This book shows how the fight for racial equity has been one of progress and retrenchment, a constant push and pull for inclusion over exclusion. By understanding how our economic and racial rules work together, we can write better rules to finally address inequality in America.

From Nelson George, supervising producer and writer of the hit Netflix series, "The Get Down, Hip Hop America is the definitive account of the society-altering collision between black youth culture and the mass media.

Young blacks born between 1965 and 1984 belong to the first generation to have grown up in post-segregation America. Their historical significance is tremendous, but until now there has been no in-depth study of the African American youth who are making this important chapter in our nation's history. Bakari Kitwana, one of black America's sharpest young cultural critics, offers a sobering look at his generation's disproportionate incarceration and unemployment rates, as well as the collapse of its gender relations, and gives his own provocative social and political analysis. He finds the pain of his generation buried in tough, slick gangsta movies, and their voice in the lyrics of rap music, "the black person's CNN." By turns scathing, funny, and analytic, The Hip Hop Generation will stand as the testament of black youth culture at the turn of the century. With extraordinary insight and understanding, Bakari Kitwana has combined the culture and politics of his generation into a pivotal work in American studies.

How hip hop shapes our conversations about race -- and how race influences our consideration of hip hop Hip hop is a distinctive form of black art in America-from Tupac to the Pulitzer Prize-winning Kendrick Lamar, hip hop has long given voice to the African American experience. As scholar and cultural critic Tricia Rose argues, hip hop, in fact, has become one of the primary ways we talk about race in the United States. But hip hop is in crisis. For years, the most commercially successful hip hop has become increasingly saturated with caricatures of black gangstas, thugs, pimps, and hos. This both represents and feeds a problem in black American culture. Or does it? In The Hip-Hop Wars, Rose explores the most crucial issues underlying the polarized claims on each side of the debate: Does hip hop cause violence, or merely reflect a violent ghetto culture? Is hip hop sexist, or are its detractors simply anti-sex? Does the portrayal of black culture in hip hop undermine black advancement? A potent exploration of a divisive and important subject, The Hip Hop Wars concludes with a call for the regalvanization of the progressive and creative heart of hip hop. What Rose calls for is not a sanitized vision of the form, but one that more accurately reflects a much richer space of culture, politics, anger, and yes, sex, than the current ubiquitous images in sound and video currently provide.

Here is a book as joyous and painful, as mysterious and memorable, as childhood itself. I Know Why the Caged Bird Sings captures the longing of lonely children, the brute insult of bigotry, and the wonder of words that can make the world right. Maya Angelou's debut memoir is a modern American classic beloved worldwide.   Sent by their mother to live with their devout, self-sufficient grandmother in a small Southern town, Maya and her brother, Bailey, endure the ache of abandonment and the prejudice of the local "powhitetrash." At eight years old and back at her mother's side in St. Louis, Maya is attacked by a man many times her age--and has to live with the consequences for a lifetime. Years later, in San Francisco, Maya learns that love for herself, the kindness of others, her own strong spirit, and the ideas of great authors ("I met and fell in love with William Shakespeare") will allow her to be free instead of imprisoned.   Poetic and powerful, I Know Why the Caged Bird Sings will touch hearts and change minds for as long as people read. "I Know Why the Caged Bird Sings liberates the reader into life simply because Maya Angelou confronts her own life with such a moving wonder, such a luminous dignity."--James Baldwin

The literature suggests that African Americans (native Blacks) differ from Black immigrants and children of Black immigrants (immigrant Blacks) in their educational outcomes. aThomas contributes to this growing body of work, showing through regression analyses and interview data, similarities in college experiences and outcomes. There is a unique Black college experience that transcends family immigration history. Social integration and intellectual integration into the university is different for Black students as compared to White, Asian, and Chicano/Latino students.aaThe Black college experience is less favorable than the experiences of non-Black students. I conclude with suggestions on how universities can improve the intellectual integration and overall college experience of Black students."

In her first book of poetry since Why Don't You Sing? Maya Angelou, bestselling author of the classic autobiography I Know Why The Caged Bird Sings, writes with lyric, passionate intensity that reaches out to touch the heart and mind. This memorable collection of poems exhibits Maya Angelou's unique gift for capturing the triumph and pain of being black and every man and woman's struggle to be free. Filled with bittersweet intimacies and ferocious courage, these poems are gems--many-faceted, bright with wisdom, radiant with life.

For the first time, acclaimed writer and feminist devotes a book to the complex personae of women writers, especially those whose work goes against the grain.

A unique and vital guide that summarizes, explains and evaluates the greatest works of African-American literature -- including articles on writings from James Baldwin, W. E. B. DuBois, Langston Hughes, Malcolm X, Toni Morrison and many more.

An abundant collection of stories from the pages of the New York Times that transcend what we know as sportswriting. Mr. Berkow has a clear understanding of the games he reports, but he also has a sharp eye for the lives of the players, an appreciation of the larger social context, and--not least--an affinity for the well-turned phrase. Ira Berkow is among the best--a Sondheim of the sports page. --George F. Will. I follow Ira Berkow in the Times with unfailing interest. --Saul Bellow. If there's anyone doing sports who is even close, I haven't read him. --Mike Royko.

The New Black Sociologists follows in the footsteps of 1974¿s pioneering text Black Sociologists: Historical and Contemporary Perspectives, by tracing the organization of its forbearer in key thematic ways. This new collection of essays revisit the legacies of significant Black scholars including James E. Blackwell, William Julius Wilson, Joyce Ladner, and Mary Pattillo, but also extends coverage to include overlooked figures like Audre Lorde, Ida B. Wells, James Baldwin and August Wilson - whose lives and work have inspired new generations of Black sociologists on contemporary issues of racial segregation, feminism, religiosity, class, inequality and urban studies.

Seldom does a book have the impact of Michelle Alexander's The New Jim Crow. Since it was first published in 2010, it has been cited in judicial decisions and has been adopted in campus-wide and community-wide reads; it has been the winner of numerous prizes, including the NAACP Image Award; and it has spent nearly 250 weeks on the New York Times bestseller list. Most important of all, it has spawned a whole generation of criminal justice reform activists motivated by Michelle Alexander's unforgettable argument that 'we have not ended racial caste in America; we have merely redesigned it.'

In this provocative book, the authors connect the regulation of African American people in many settings into a powerful narrative. Completely updated throughout, the book now includes a new chapter on policing black athletes' bodies and expanded coverage of the Black Lives Matter movement, policing trans bodies, and policing Black women's bodies

Jesse Owens wins four gold medals at the 1936 Olympics. Billie Jean King takes on Bobby Riggs in the Battle of the Sexes. Title IX is passed. Some moments in sports--whether they take place on a track, on a tennis court, or in a courtroom--transcend the event itself. Some have helped America live out its creed that all men are created equal. Others have pushed the nation toward gender equality. Others have changed individual sports to such a degree that they have transformed society.

World-renowned scholar and visionary bell hooks takes an in-depth look at one of the most critical issues of our time, the impact of low self-esteem on the lives of black people.Without self-esteem everyone loses his or her sense of meaning, purpose, and power. For too long, African Americans in particular have been unable to openly and honestly address the crisis of self-esteem and how it affects the way they perceive themselves and are perceived by others.In her most challenging and provocative book to date, bell hooks gives voice to what many black people have thought and felt, but seldom articulated.

A PBS Great American Read Top 100 Pick "A deeply soulful novel that comprehends love and cruelty, and separates the big people from the small of heart, without ever losing sympathy for those unfortunates who don't know how to live properly." --Zadie Smith One of the most important and enduring books of the twentieth century, Their Eyes Were Watching God brings to life a Southern love story with the wit and pathos found only in the writing of Zora Neale Hurston. Out of print for almost thirty years--due largely to initial audiences' rejection of its strong black female protagonist--Hurston's classic has since its 1978 reissue become perhaps the most widely read and highly acclaimed novel in the canon of African-American literature.

The second volume of the Pulitzer Prize--winning biography that "The Washington Post" hailed as "an engrossing masterpiece" Charismatic, singularly determined, and controversial, W.E.B. Du Bois was a historian, novelist, editor, sociologist, founder of the NAACP, advocate of women's rights, and the premier architect of the Civil Rights movement. His hypnotic voice thunders out of David Levering Lewis's monumental biography like a locomotive under full steam. This second volume of what is already a classic work begins with the triumphal return from WWI of African American veterans to the shattering reality of racism and lynching even as America discovers the New Negro of literature and art. In stunning detail, Lewis chronicles the little-known political agenda behind the Harlem Renaissance and Du Bois's relentless fight for equality and justice, including his steadfast refusal to allow whites to interpret the aspirations of black America. Seared by the rejection of terrified liberals and the black bourgeoisie during the Communist witch-hunts, Du Bois ended his days in uncompromising exile in newly independent Ghana. In re-creating the turbulent times in which he lived and fought, Lewis restores the inspiring and famed Du Bois to his central place in American history.

"When women get together and talk about men, the news is almost always bad news," writes bell hooks. "If the topic gets specific and the focus is on black men, the news is even worse." In this powerful new book, bell hooks arrests our attention from the first page. Her title--We Real Cool; her subject--the way in which both white society and weak black leaders are failing black men and youth. Her subject is taboo: "this is a culture that does not love black males:" "they are not loved by white men, white women, black women, girls or boys. And especially, black men do not love themselves. How could they? How could they be expected to love, surrounded by so much envy, desire, and hate?"